Monday, February 17, 2014

Masaharu Fujita: 1916 - May 14th 2002

Fujita Masaharu was an extraordinary shakuhachi player/teacher. As was often the case with shakuhachi players of his time, he studied multiple shakuhachi traditions: He began with Tozan and studied Jiuta and Nagauta, later he became interested in Myoan Shinpo-ryu. He visited many shakuhachi teachers across Japan and studied/collected many honkyoku pieces. Among those legendary teachers was Yamaue Getsuzan in Saga, Japan who was a student of Katsura Shozan and one of the very few successors of the Myoan Shinpo tradition. Fujita visited Yamaue over 100 times in a very rural part of Saga in the Yamaguchi prefecture where Yamaue lived and was very inspired by these visits. Fujita had become so close to the Yamaue family that he received a phone call from Yamaue's wife when Yamaue passed away. Fujita Masaharu was also a composer and prolific shakuhachi maker who composed about 60 pieces, made over 500 Jinashi flutes, and left 450 scores (collected and transcribed pieces) in 50 volumes. Fujita passed away on May 14th in 2002 at the age of 86.































Saturday, February 15, 2014

Yoshimura Soshin Fuan; 6/27/1904 to 10/21/1998


Yoshimura Soshin Fuan in wheelchair and his students.


89 year old Yoshimura Soshin Fuan; Kansu (president) of Taizan-ha, New Myoanji first in 1949


Wednesday, January 22, 2014

Tuesday, January 21, 2014

Komuso Schematics


















Modern Komuso


Fuké rings the Bell


Morimasa Horiuchi and the Myoanji Gong









Morimasa Horiuchi plays the Taizan-ha honkyoku Choshi to the accompaniment of the Myoanji Gong.  Originally used by the monks of the shakuhachi temple in Kyoto, the gong fell into disuse after a  ban of the komuso by the Myoanji government in the 1860's.  Its sound is heard again here after 150 years of silence.


Sunday, January 19, 2014

Wednesday, January 15, 2014

Spatial Awareness Breathing











































A samurai warrior (photo from Akikazu Nakamura) demonstrating proper body positioning for "missoku", or shakuhachi esoteric breathing.  According to Nakamura, lower the pelvis, while expanding the abdomen, then inhale and exhale. By keeping the body still, one's spatial awareness and five senses are heightened and increased. Wearing loose-fitting robes/clothes/kimono helps in this matter.


Sunday, December 29, 2013

Thursday, December 26, 2013

Icchoken



 

 Icchoken

  Icchoken is a name of Fuke sect, Komuso temple which is located in Hakata. During the Kanei era (1624-1643), Ichio from Kyoto, Myoan Temple came down to Hakata and started his Komuso life in Entsu temple which at the time did not have a priest. Since then, Icchoken has become the first Komuso temple in Chikuzen (Northern Kyushu).
  During the time of Ikku , he asked the domain for an estate in Yaguramon (Gion) and named it “Entsuji Icchoken” which was later renamed “Fumonzan Icchoken.” In the 4th year of the Meiji era (fiscal year 1871), Icchoken could not be spared from the abolishment of Fuke sect. However, Icchoken revived in Daijojimaecho (Reizen) in the 26th year of the Showa era (1951), which was then moved to Saiko Temple in a sub-temple of Rinzaishu Myoshinji sect, Shofukuji.
In the main hall, we have enshrined a statue of the patriarch of Fuke sect “Fukezenji*” and a statue of Komuso “Kusunoki Masakatsu”. Although Fuke sect had vanished from the public, its tradition has been inherited and it has been designated as an intangible cultural heritage of Fukuoka with the name of "Icchoken Denhocchiku" (Komuso's shakuhachi that has been handed down to Icchoken) since the 40th year of Showa.
*zenji ... Zen-master

Fuke sect

  Fuke sect is a religion in which the believers play the shakuhachi, a religious instrument, during their religious training. In other words, they believe that playing thoroughly every sound of the shakuhachi makes you reach enlightenment.
Their first ancestor was Fukezenji who had a connection with Rinzaizenji during the Tang dynasty of China. Fukezenji's apprentice was charmed by the sound of the bell his master rang at the time for religious meditations, so he recreated the sound with the shakuhachi. That was the beginning of this religion. It was brought to our country by Shinchi kakushin who went to Sung during the Kamakura Period. “Kyotakudenkikokujikai” (Fuke sect's origin that was written during the Edo period)

  Fuke sect reached its peak during the Edo Period. However, it was abolished by the Restoration Government on the 4th year of the Meiji Era as the religion was strongly related to the Edo Shogunate. The origin of “Kyotaku Denki” is said to be a fiction, but the history and tradition of that one sect have been passed from generation to generation until today.

Komuso

  Komuso means Fuke-Buddhists who play shakuhachi at the time of religious mendicancy. Kusunoki Masashige, a warlord who was active during the period of the Southern and Northern courts, had a grandson named Kusunoki Masakatsu. When he was in Sung he played the shakuhachi and went on a pligrimage by the name of “Komu” which is responsible for the name “Komuso”. Another origin could be “Komoso” who wrapped a mat woven with rush around their waist during religious mendicancy and their name has gradually been changed. Apparently they were also called “Boronji,” “Boroboro,” “Boro”.
  In the Edo period, Fuke sect was established well and Komuso started to provide three items (Shakuhachi, Kesa, Tengai) and three signatures (Honsoku, Kaiin, Tsuin). Komuso are people that have escaped from the world and have become Anchorets, so they considered each other as brothers. When they crossed the world of dust they were given a tengai, a deeply woven straw hat in order to avoid getting dust in their eyes from the wind. Tengai has woven windows called Doko (pupil) so that they can see the outside world easily, but apparently, tengai of Icchoken's Komuso did not have Doko until the Meiji Restoration.
  Three signatures include Honsoku, a document of fundamental dogma, Kaiin, a certificate of being a Fuke-Buddhist, and Tsuin, a passport that allows you to go on a pilgrimage.   When Komuso met each other, it was a rule to show those three signatures to distinguish fake Komuso. Also, keeping their tengai on was a manner during the religious mendicancy no matter how royal people visited. It was considered rude to show their face. Although Komuso disappeared due to the abolishment of Fuke sect in the 4th year of Meiji, religious mendicancy of Komuso has revived after Komusodera (temple with Komuso) gained formal acceptance as a religious corporation in Showa.


Now Fly Away All!


Wednesday, December 25, 2013

Monday, December 9, 2013

Miura Kindo Shakuhachi

Recently offered for sale in New York; a Miura Kindo 1.8 that Nyogetsu considers the best flute in this hemisphere by the best maker ever... 100+ years old, price $20,000  
Miura Kindo, 1875-1940

Sunday, December 8, 2013

Transparent Breath Glow

breath glow sound

Sunday, November 24, 2013

Shakuhachi for Lincoln




















Morimasa Horiuchi plays a 1.8 red cedar Shin-Sei travel shakuhachi for Abraham Lincoln on the 150th anniversary of the Gettysburg Address in Springfield, Illinois.

Saturday, November 23, 2013

Fuan #40

In the picture, Chinese letters say Myoan, Fuan, which means

this player is Myoan #40 instructor Yoshimura Fuan