Sunday, July 24, 2011

Tengu Festival; Komuso with Shakuhachi
































Tengu (天狗, "heavenly dogs") are a class of supernatural creatures found in Japanese folklore, art, theater, and literature. They are one of the best known yōkai (monster-spirits) and are sometimes worshipped as Shinto kami (revered spirits or gods). Although they take their name from a dog-like Chinese demon (Tiangou), the tengu were originally thought to take the forms of birds of prey, and they are traditionally depicted with both human and avian characteristics. The earliest tengu were pictured with beaks, but this feature has often been humanized as an unnaturally long nose, which today is practically the tengu's defining characteristic in the popular imagination.

Buddhism long held that the tengu were disruptive demons and harbingers of war. Their image gradually softened, however, into one of protective, if still dangerous, spirits of the mountains and forests. Tengu are associated with the ascetic practice known as Shugendō, and they are usually depicted in the distinctive garb of its followers, the yamabushi.

Saturday, July 23, 2011

Kyotaku Lineage

Tani Kyochiku
Koku Nishimura
Agar Kyosui Noiri
.






































1) Tuning
The way of kyotaku tuning is not like the way of Shakuhachi tuning.
The way of Shakuhachi tuning makes exact pitch, with adjusting the length of the flute, with adjusting the diameter of the inside flute.
On the other hand The case of Kyotaku , the flute is just one piece , no way to adjust the length, no way to adjust the diameter of the inside flute.
So, even same 2.6 length kyotakus makes different pitches.
But you will be able to manage to adjust the pitches when you play with someone together.
2) How to play ?
Compared with Shakuhachi, Kyotaku is more long, more fat,and much more big volume.
If you play kyotaku like the way of Shakuhachi, You will make only superficial light sound .
Slow and steady breath makes vibrate the big bamboo more efficiently.
Sometimes I saw retouched kyotakus by someone who didn’t know how to play with it.
It is difficult to fix again. You have to know the difference between Kyotaku and Shakuhachi.
3)Rot number ( 4 numbers)
The numbers showing the length of kyotaku.
Example, 2640 showing 2.64 = 2 shaku 6 sun 4 bu.

Sunday, July 10, 2011

Enso Red Root

Large Bore 2.9 Shakuhachi with Honshu Red Urushi from Meijiro--goes on bright orange red and darkens to a deep red.

Background bamboo--Fargesia Rufa (preferred panda food source) Zone 5 Chicago, insulated last Winter with a 4 foot styrofoam box.  Next winter will have to try a thermal blanket, it's growing too big...



Backgound bamboo--Phylostachys Bissetti.  Zone 5 Chicago, no insulation needed, roots survive to minus 20 degrees Fahrenheit ground temperature.  15 feet high in six years from a small plant.


Black Urushi and Brown Shuai Urushi on the roots, a turpentine and shuai wash on the lower nodes. A perfect Summer day for curing the natural poison sumac laquer on a screened porch, 90 degree heat, high humidity, no wind, no dust.
2.6 Jinashi with several coats of shuai urushi, glass finish, streak are reflections of sky.  Background Bamboo--Phyllostachys Nuda.  Zone 5 Chicago, no insulation needed.

Sunday, July 3, 2011

Inside Outside

Long after man has forgotten such words as Zen and Buddha, satori and koan, China and Japan and America, still the search will go on, still Zen will be seen even in flowers and grass-blades before the sun.

Yoshinobu Taniguchi Plays Jo-un

Carved in Wood

Friday, July 1, 2011

Tuesday, June 21, 2011

Happy Summer Solstice Zuihou 54

Longest Day of the Year.
Temple of More Light than Dark


Kyozan-bo group visits the Abbott at Hoshin-ji, Tokyo.  The shakuhachi program played was
1)Ken Ko San
2)Hi Fu Mi Hachigaeshi
3)Ekosan
4) Murasaki no Kyoku
Intermission
5)Uji
6)San'Ya
7) Kyo San'Ya
8)Yoshiya
9)Ryugin Koku
10)Choshi & Mukaiji
Chidori!

Waterfall by artist with Chinese poem written by Tominomori Kyozan with his stamp.
Hoshin-ji


Monday, June 20, 2011

Flutes of Distinction: Ogawa Nando 1.9 Shakuhachi

Outstanding Kinko Shakuhachi made by Ogawa Nando, deshi of Miura Kindo.  A kodaka (vertical oval) profile, deep big open sound, rough finish jiari, 11-10 proportion holes.

SHAKUHACHI MASTERS (KANTO REGION) 1933 THE 8TH YEAR OF THE SHOWA PERIOD
From Bottom right going up and around:

Tsugawa Keizan, Miyauchi Taido, Teshigahara Kodo, Uchida Kakufu, Takayama Yuzan Abe Kozan, Ozawa Koun, Yoshizawa Dodo, Takutami Fuzan, Notomi Judo, Kusano Tatsuji, Kishi Seiho, Fukuda Rando, Yoshida Seifu, Yasaka Reizan, Seki Wado, Ogawa Nando, Yamaguchi Shiro, Shindo Kodo, Momose Hodo, Sumikawa Yodo, Zangetsudo Tekkan, Kimura Yusai, Nakamura Tsukan, Araki Baibyoku (IV), Ogino Seiun, Murase Chikugai, Shimokawa Sensei, Hirokado Reifu, Kagami Fumio, Takayama Kindo, Kurakawa Sensei, Tanaka Shosei, Ozawa Kosuke, Konishi Shozan,

Top: Right to Left

Aoki Reibo (Seizo), Kawase Junsuke (1), Nakao Tozan, Araki Kodo (III), Inoue Shigemi

Sunday, June 19, 2011

Jo-un with Maki



Shakuhachi made by Tomomasa Gakudo (岳童友正), early 20th century.  Gold leaf urushi painted by an official artisan of the imperial family.

The Curve of the Back

Traditional Meanings of the Shakuhachi Holes

Saturday, June 11, 2011

1.7 Edo Shakuhachi


utaguchi
horizontal 34mm O.D., 20mm I.D.
vertical 30mm O.D., 21mm I.D.

close-filed root
horizontal 46mm O.D., 19mm I.D.
vertical 40mm O.D., 19 mm I.D.

undercut holes are 10mm long by 9mm wide

length 51 cm.




The average height of an Edo (1603–1867) period Japanese man was 5 feet tall.

Interesting hanko: the pilgrim's water gourd.




The hanko could also be the shape of the sitting Buddha.



 Whatever the reason, the average height of the Japanese increased gradually over the space of 10,000 years up to the sixth century, but then it strangely began to decrease again. The average height of people in the Edo Period (1603–1867) was 156 centimeters for men, and 145 centimeters for women, about the same as for the people of the middle Jomon. What on earth could have caused this?
Population density was the most likely culprit: Once people began farming in earnest, the population increased dramatically. Particularly from Japan's medieval period onwards, people began to gather in cities, and as suitable new land for farming became scarce, food shortages emerged. Sanitary conditions also deteriorated, and the physique of the populace suffered as a result.

Friday, June 10, 2011

Etsuzan Fujiyoshi

Planetary Harmonics & Neurobiological Resonances



At the Shinjuku Bunka Center, Etsuzan Fujiyoshi plays a shakuhachi made by his Sensei Takahashi Kuzan (1900-1986), a 1.8 pitched in C#.  Higuchi Taizan's main flute was also a C#.  My teacher Morimasa Seisui Horiuchi plays the 1.8 C# and has two fine examples, including a two stamp shakuhachi made by his teacher Tomimori Kyozan.  Tanikita Muchiku also favored the C# as many other great Masters of the Myoan lineages....  My favorite flute is also a 1.8 C#, and Mori-san and I practice this pitch 90% of the time in lessons, after an occasional break with 1.8s or shorter, pitched in D.
 
Why this preference for C#?  It is said the Consciousness Chakra resonates with the musical pitch of C#, verbalized as OM. The sound of OM connects us to the universe in a very real way. OM is derived from the Earth’s rotation around the sun. It takes 1 year, or 31556935.97 seconds, for the earth to complete one cycle of rotation. If frequency is cycles per second, you get 1/31556935.97; the portion of a year that exists in one second. Both the frequency of C# and C is close to that fraction in frequency.  Many have said shakuhachi is the sound of Earth.  It's interesting to see the pitch reflected in the orbit sound of our planet, from the the roundness of the root, the endless enso of the bore, taking the listener in its grounded sound circling through the space of  OM

Sunday, June 5, 2011